Smoke & Mirrors
Brighton, winter 1951. Pantomime season is in full swing on the pier with Max Mephisto starring in Aladdin, but Max’s headlines have been stolen by the disappearance of two local children. When they are found dead in the snow, surrounded by sweets, it’s not long before the press nickname them ‘Hansel and Gretel’. DI Edgar Stephens has plenty of leads to investigate. The girl, Annie, used to write gruesome plays based on the Grimms’ fairy tales. Does the clue lie in Annie’s unfinished – and rather disturbing – last script? Or might it lie with the eccentric theatricals who have assembled for the pantomime?
Brighton, 1950s, mid-winter. Two missing children are found buried under snow in this chilling new case for DI Stephens and Max Mephisto. Max’s star turn in Aladdin has been overshadowed by the murder –of two local children. With fairy tales in the air, it’s not long before the press have found a nickname for the case: ‘Hansel and Gretel’.
‘An excellent whodunnit, matched by the terrific down-at-heel atmosphere of postwar Brighton’ – The Times
DI Edgar Stephens has plenty of leads to investigate. The missing girl, Annie, used to write plays and perform them with her friends. Does the clue lie in Annie’s unfinished – and rather disturbing – last script? Or might it lie with the eccentric actor types who have assembled for the pantomime?
Once again Edgar enlists Max’s help in penetrating the shadowy theatrical world that seems to hold the key. But is this all just classic misdirection?