Don’t Touch My Hair

£9.99

Over a series of wry, informed chapters, Emma Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and on to today’s Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look at everything from hair capitalists like Madam C.J. Walker in the early 1900s to the rise of Shea Moisture today, from women’s solidarity and friendship to ‘black people time’, forgotten African scholars and the dubious provenance of Kim Kardashian’s braids. ‘Don’t Touch My Hair’ proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.

ISBN: 9780141986289 Author: Dabiri, Emma Publisher: Penguin Books Publication Date: 5th March 2020 Imprint: Penguin Books Cover: Paperback Dewey: 391.508996 (edition:23) Pages: 243 Language: English Readership: General - Trade / Code: K Category: Subjects: , , , , , ,

‘Groundbreaking . . . a scintillating, intellectual investigation into black women and the very serious business of our hair, as it pertains to race, gender, social codes, tradition, culture, cosmology, maths, politics, philosophy and history’ Bernardine Evaristo

Straightened. Stigmatized. ‘Tamed’. Celebrated. Erased. Managed. Appropriated. Forever misunderstood. Black hair is never ‘just hair’.

This book is about why black hair matters and how it can be viewed as a blueprint for decolonisation. Over a series of wry, informed essays, Emma Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and on to today’s Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look everything from hair capitalists like Madam C.J. Walker in the early 1900s to the rise of Shea Moisture today, from women’s solidarity and friendship to ‘black people time’, forgotten African scholars and the dubious provenance of Kim Kardashian’s braids.

The scope of black hairstyling ranges from pop culture to cosmology, from prehistoric times to the (afro)futuristic. Uncovering sophisticated indigenous mathematical systems in black hairstyles, alongside styles that served as secret intelligence networks leading enslaved Africans to freedom, Don’t Touch My Hair proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.

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